Home Social AnalysisThe Imenti House Shooting Was A Fake Nollywood Drama By John Allan-Namu

The Imenti House Shooting Was A Fake Nollywood Drama By John Allan-Namu

This government’s desperation is so blatant it’s almost pathetic. They’re pulling out all the stops, fake blood, fake names, fake outrage, just to keep their sinking ship afloat.

by Francis Gaitho
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Oh, what a circus we have at Imenti Houses, folks!

A supposed “shooting” that’s got all the hallmarks of a poorly scripted Nollywood drama, and guess who’s hogging the spotlight?

None other than the state’s favorite mouthpiece, John Allan Namu, and his Africa Uncensored crew, conveniently perched at the scene like vultures with a crystal ball.

Ruto Blogger and prolific tumbocrat Kevin Monari (Osama Otero) is based at Imenti House

In a sprawling city like Nairobi, with protests popping off left, right, and center, how do these guys just happen to be at the exact spot where a hawker supposedly gets popped? Smells like a setup, and it reeks worse than a Dagoretti abattoir at high noon.

The location of Imenti House, where controversial blogger Kevin Monari (Osama Otero) operates his office, should have been a red flag suggesting a scam. Additionally, the footage is strikingly clear, with the cameraman remaining steady after the gunshot, as if it was staged or rehearsed.

Let’s talk about this “victim.” No flesh wounds, no spent cartridge, nada. Just some theatrical splashes of what’s probably goat blood from the local slaughterhouse, if the X chatter is to be believed.

Goat blood was used to dramatize the fake shooting of Boniface Kariuki aka Eli Joshua

And the identity? Oh, please. First, they’re screaming “Justice for Eli Joshua” all over the internet, then, oops, it’s Boniface Kariuki. Make up your mind, people! This flip-flopping on names isn’t just sloppy; it’s a neon sign screaming “staged.”

Then you’ve got the bigwigs piling on, desperate to milk this for clout. Suba North’s loudmouth MP, Millicent “Millie” Odhiambo, swears this mysterious hawker is her constituent from Suba. Sure, Millie, we totally believe you’re personally acquainted with every mask peddler in your backyard.

CLOUT CHASER: Millicent Odhiambo Mabona says mask-hawker Boniface Kariuki is from her Suba North Constituency

And let’s not forget the state’s propaganda puppets, Edwin Sifuna and Martha Karua, who never miss a chance to jump on a trending hashtag like the fame-hungry vultures they are. These two would probably mourn a fictional character if it got them retweets.

Oh and how utterly convenient that Citizen, the ever-so-diligent “githeri” media house, always seems to magically appear right in the thick of every juicy controversy! I mean, what are the odds?

They never bother with the mundane protests or those pesky other angles of the day – oh no, they’re far too busy capturing the Oscar-worthy staged theatrics for our viewing pleasure!

What a coincidence that Citizen TV journalist Seth Olale was at the scene just as the staged burning of cars begun?

Take last week, for instance – pure coincidence that Seth Olale just happened to be on the scene the very moment those vehicles decided to burst into flames.

How thoughtful of him to be there to justify their dramatic tales of anarchy and paint protests as the chaotic downfall of our beloved nation!

And yesterday? What a stroke of luck that they stumbled upon that mystery lady next to the “victim” (Eli or Boniface, whoever that may be), a face mysteriously absent from all other footage. Her over-the-top performance was simply chef’s kiss perfection!

Mainstream (githeri) media house Citizen TV were there just in the nick of time to capture the staged theatrics of “witnesser”

Clearly, we must launch this revolution posthaste to ensure such exceptional acting talent isn’t squandered. The stage is set, and the spotlight awaits!

But the real cherry on this farce? The influencers. Oh, the influencers! We’ve got Massage By Steve, a guy who wouldn’t touch politics with a ten-foot pole, suddenly playing activist.

LUCRATIVE GIG: Massage By Steve who never talks politics, was paid to push the Eli Joshua scam

And Flaqo, the comedian who’s usually too busy protecting his squeaky-clean brand to wade into this mess, is out here posting like he’s auditioning for a government gig.

This isn’t organic; it’s a coordinated influencer rollout, the kind you see when someone’s handing out cash for clout.

Compare this to the death of blogger Albert Ojwang, where the silence from these same “big names” was deafening. Funny how they only show up when the script demands it.

Comedian Flaqo 411 who doesn’t discuss politics to “protect his brand” received 100k to push the Eli Joshua scam

The whole thing screams distraction. Kenyans were out here celebrating major wins, real victories against a regime that’s been fleecing them for years, and suddenly, we’re fed this sob story about a “shot” hawker who doesn’t even seem to exist.

It’s almost like someone’s trying to derail the vibe, isn’t it?

And who’s at the center of this storm? John Allan Namu, the poster boy for state-sponsored “journalism,” bankrolled by globalist sugar daddies like George Soros and the Ford Foundation.

The Ford Foundation have funded John Allan-Namu to save William Ruto’s crumbling presidency

This guy’s been cozy with commercial activists like Boniface Mwangi for years, and now he’s allegedly out here staging shootings with props straight out of a butcher’s shop.

Boniface Mwangi’s penchant for macabre spectacles, such as displays involving blood, animals, and coffins, has long been a hallmark of his activism, designed to shock and provoke.

These theatrical stunts, often steeped in grim symbolism, align closely with the tactics seen in yesterday’s alleged staged shooting of a hawker at Imenti House.

George Soros Fuck-Boys: The macabre spectacle of blood and staged theatrics is not new and has been perfected by none other than commercial activist Boniface Mwangi

Both events bear the marks of a calculated script, blending high drama with public manipulation, and point to a recurring pattern in Mwangi’s approach.

Working alongside figures like John Allan Namu, who has been linked to similar sensationalist narratives through investigative exposés, Mwangi’s displays suggest a coordinated effort to amplify chaos and sway public sentiment.

The cast may be familiar, but the playbook, marked by provocative imagery and orchestrated outrage, remains strikingly consistent.

This government’s desperation is so blatant it’s almost pathetic. They’re pulling out all the stops, fake blood, fake names, fake outrage, just to keep their sinking ship afloat.

Devil Worshipper: Boniface Mwangi is no stranger to occult stunts like pouring blood in parliament

Alfred Mutua’s Cobra Squad could’ve cooked up a more convincing plot than this clown show.

Kenyans are used to being misled by absurd theatrics and manipulative spectacles.

For example, they recently poured their hard-earned money into supporting Baba Albert (Meshack Ojwang) after he shared a tearful story on TV.

Now, they’re criticizing him for actions that were predictable from the start. Instead of focusing on the grief of losing his son, he fixated on the money he spent on his education.

So, what’s the deal, Namu? Care to explain why your crew was the only one at the scene, or are you too busy cashing those donor checks?

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FrancisGaitho.com

A Multifaceted Kenyan Activist, Commentator, and Aspiring Politician

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